Marble City Opera's Second Season Stars with Three Short Contemporary Operas
Published 05/14/2014 at 10:26 a.m.
One year has now passed since Marble City Opera first appeared on the Knoxville music scene, taking on the genre generically known as chamber opera—smaller-scale operatic works intended for intimate venues.
KSO Fails to Capitalize on Its Star Concertmaster
Published 05/07/2014 at 10:28 a.m.
Anyone who has followed KSO for the last several years knows full well that concertmaster Gabriel Lefkowitz’s abilities extend from charismatic leadership to top-notch performance capability and on into the heady and entertaining realm of extreme violin virtuosity.
KSO Balances Drama and Dynamics in Grieg Masterworks Performance
Published 04/30/2014 at 10:14 a.m.
In a Knoxville Symphony Orchestra Masterworks program last weekend that included Edvard Grieg's Piano Concerto in A Minor—as well as works by fellow Scandinavians Jean Sibelius and Carl Nielsen—guest pianist Andrew Staupe and conductor Lucas Richman traveled a middle route ...
Knoxville Opera Raises the Bar Again With 'Norma''s High-Flying Vocal Performances
Published 04/14/2014 at 5:05 p.m.
There’s been so much bar-raising done over the last few years in Knoxville Opera productions that one might assume—short of going broke booking big-name singers and acquiring expensive, original sets—that there would be little more that is possible under the ...
Getting to Know the Lead Singers for Knoxville Opera's Production of 'Norma'
Published 04/09/2014 at 11:32 a.m.
Ta'u Pupu’a’s story of success could probably rival many operatic plots for its tale of natural abilities twisted by the whims of fortune.
Singers Take Center Stage in Knoxville Opera's Production of Bellini's 'Norma'
Published 04/09/2014 at 11:26 a.m.
If there ever was an opera that could be called, without hesitation, “a singer’s opera,” it is Vincenzo Bellini’s Norma, this weekend’s Rossini Festival offering from Knoxville Opera. The title character of Norma runs the gamut of human emotions, from ...
KSO’s Principal Quartet Illustrates the Growing Popularity of Chamber Music
Published 04/02/2014 at 11:01 a.m.
Hopefully, the days of Knoxville’s small ensembles being treated as curious appendages of the large ensembles, useful only for educational or peripheral goals, are coming to a close.
The UT Music Faculty Continues Its Eclectic Chamber Series
Published 03/26/2014 at 11:48 a.m.
Seemingly immune to distractions over the years has been one of the more intriguing chamber music events in Knoxville—the ongoing UT faculty chamber-music series. The series, now comfortably settled into its new home in the Powell Recital Hall, has been ...
Back to Bach: KSO Stages a Monumental Performance of Bach’s Complete Brandenburg Concerti
Published 03/19/2014 at 9:25 a.m.
The six Brandenburgs, titled by Bach as Six Concerts avec plusieurs instruments (“Six concertos with several instruments”), represent not only a pinnacle in Baroque music but the stylistic best of the composer’s instrumental works.
Two Knoxville Organizations Demonstrate America’s Unheralded Choral Traditions
Published 03/05/2014 at 9:52 a.m.
Under the leadership of music director Jim Garvey, FOMA’s season includes not only local musicians and the Choirs of Ascension in concerts but also bookings of notable soloists and ensembles, such as the King’s Singers, the Paul Winter Consort, and, ...
KSO's Chamber Classics Series Revisits the Baroque Period
Published 02/26/2014 at 10:14 a.m.
For reasons that are quite positive but not altogether clear, music of the Baroque has been a big hit among Knoxville Symphony Orchestra audiences for the last couple of years, drawing listeners in numbers that seem to defy conventional programming ...
Knoxville Opera Makes the Most of Valentine’s Weekend With 'L’Elisir d’Amore'
Published 02/19/2014 at 10:28 a.m.
This Elixir was no gulp of cheap wine or bogus concoction, but rather an invigorating and entertaining elixir of splendid performances from a splendid cast.
Knoxville Opera Revisits Donizetti’s 'Elixir of Love' for Valentine’s Day
Published 02/12/2014 at 9:38 a.m.
It is no coincidence that KO’s production of Elixir of Love falls on Valentine’s Day—it is the quintessential romantic comedy.
UT Kicks Off a Monthly Series of Brahms' Duo Sonatas
Published 01/29/2014 at 10:07 a.m.
This Friday evening’s event covers the two Cello and Piano sonatas of Brahms which, like the composer’s other duo sonatas, treat the two instruments as equal partners.
Guest Conductor Sean Newhouse and Pianist Louis Schwizgebel Star in KSO’s January Masterworks Concerts
Published 01/20/2014 at 4:57 p.m.
Guest conductor appearances with orchestras have become an essential part of the international classical-music scene over the past decades, benefiting everyone, it seems—audiences, orchestra members, management, and the conductors themselves. The Knoxville Symphony Orchestra has employed the practice over the ...
Catching Up as the Classical Music Season Gets Back in Swing
Published 01/15/2014 at 9:44 a.m.
As the holiday hiatus and recent bone-chilling cold drift off into the recesses of memory, the January classical music scene in Knoxville is now heating up once again with a flurry of performances.
The Best Classical Music Performances of 2013
Published 12/26/2013 at 10 a.m.
While 2013 may have seen some major upheavals in the force of classical music on a national level—the ongoing management/musician difficulties of the Minnesota Orchestra and the shutdown of the New York City Opera come to mind—Knoxville’s own classical-music scene ...
Marble City Opera Gets in the Holiday Spirit With 'The Gift of the Magi'
Published 12/11/2013 at 11 a.m.
Although the midwinter music scene may currently feel a bit bleak, the situation is certainly correctable, as opportunities abound for organizations willing to seize them. This weekend, one of Knoxville’s newest music organizations, Marble City Opera, is doing just that, ...
Small Ensembles Effectively Fill Out Knoxville’s Classical-Music Calendar
Published 11/26/2013 at 3:15 p.m.
It’s probably too early to call Knoxville’s chamber music scene an “explosion,” but that day may be fast approaching.
KSO Explores Mozart’s Lowbrow Humor in an Energetic Performance
Published 11/20/2013 at 9:57 a.m.
As the story goes, the late British Prime Minister Margaret Thatcher was quite upset after viewing Peter Shaffer’s play Amadeus in London, categorically refusing to accept director Peter Hall’s factual documentation of Wolfgang Amadeus Mozart’s off-color and often scatological sense ...
UT Opera Theatre Takes 'The Barber of Seville' Downtown
Published 11/13/2013 at 10:47 a.m.
After the University of Tennessee Opera Theatre staged their last three productions in UT’s Carousel Theatre, one might have assumed that the performance intimacy, the conveniences of campus, and the substantially lower costs had made the choice a logical—perhaps even ...
Knoxville Opera Conquers the Theatrical Intricacies of 'The Tales of Hoffmann'
Published 10/30/2013 at 10:15 a.m.
It had been 21 years, I was told, since Knoxville Opera last staged Offenbach’s Les Contes d’Hoffmann (“The Tales of Hoffmann”). Knoxville audiences were rewarded for their patience last weekend with a season-opening production that offered up the work’s intriguing ...
Knoxville Opera Updates Offenbach’s 'Tales of Hoffmann' to 1920s Berlin
Published 10/23/2013 at 10:15 a.m.
Like many successful composers of operettas and light-hearted fare, the German-born Parisian Jacques Offenbach yearned for a different reputation—that of a serious composer.
Small Ensembles Find a Place in Knoxville’s Classical-Music Scene
Published 10/09/2013 at 10:50 a.m.
When I surveyed the growth and health of the Knoxville classical music scene in Metro Pulse last fall, I focused, out of necessity, on the broad topic, which for most people means the historically popular, large-ensemble performances—orchestral music and opera. ...
Lucas Richman Begins His Next-to-Last Season at KSO With a Triumphant Opening Concert
Published 09/25/2013 at 10:51 a.m.
With the official announcement last week that music director and conductor Lucas Richman would be leaving the Knoxville Symphony Orchestra after the 2014-15 season, one naturally had to reflect on what might be in store for the orchestra and audiences ...
Adventurous Choices: With a Sizable Grant from Aslan Foundation, KSO Steps up With a Diverse Schedule, Lower Ticket Prices
Published 09/11/2013 at 11:36 a.m. 2 Comments
Tracking the health of American orchestras can be a painful task these days given the all-too-frequent news accounts of music organization bankruptcies, labor disputes, and various forms of financial distress.
UT Unveils New State-of-the-Art Music Center
Published 08/21/2013 at 10:18 a.m.
Rising on the site of the school’s former building on Volunteer Boulevard, the new facility stands in stark contrast to the mundane architecture and cramped quarters of the old 1965 Music Building.
New Marble City Opera Seeks to Fill a Knoxville Niche
Published 05/29/2013 at 2:54 p.m.
Marble City Opera is a partnership of two Knoxville singers: soprano and artistic director Kathryn Frady Marvel and baritone Kevin Richard Doherty, a University of Tennessee School of Music alumnus who will serve as general director. The pair is seeking ...
Knoxville Opera Delivers an Energetic, Sparkling 'Cinderella'
Published 05/01/2013 at 9:52 a.m.
Simply stated, there are those operatic singers who consider themselves Rossini singers, and there are those who don’t. The diction and voice flexibility required for Gioachino Rossini’s characteristic style of rapid-fire runs of little notes is both an art and ...
Glass Slipper: A Q&A With the Stars of Knoxville Opera's 'Cinderella'
Published 04/24/2013 at 10:59 a.m.
The work of the Italian composer Gioachino Rossini returns to the Knoxville Opera’s 2013 Rossini Festival with a production of Cinderella (La Cenerentola) featuring mezzo-soprano Leah Wool as Cinderella and tenor Michael Dailey as the Prince.
Knoxville Opera Revives Rossini’s 'Cinderella' for Rossini Festival
Published 04/24/2013 at 10:47 a.m.
Audiences will find a few twists to the story they probably know very well.
UT’s 'Rape of Lucretia' Offers a Stylized Production of Britten’s Puzzling Chamber Opera
Published 04/10/2013 at 11:17 a.m.
When the audience steps into the world of The Rape of Lucretia, the 1946 Benjamin Britten chamber opera that is being staged this weekend by the University of Tennessee Opera Theatre, they may discover some puzzling contradictions that have baffled ...
KSO Takes an Adventurous Tour Through Spain
Published 03/27/2013 at 10:36 a.m.
While gray skies and winter’s final chill were stubbornly resisting the onset of spring last weekend, inside the Tennessee Theatre was a different story altogether.
UT and KSO Demonstrate the Growing Vitality of Knoxville’s Classical Music Offerings
Published 03/06/2013 at 10:03 a.m.
It wasn’t that long ago—six years, maybe—that I worried quite a bit about the amount and variety of classical music performances in Knoxville. While I still hold out hope for some new music venues, new local ensembles, and more booking ...
KSO Explores the Simple Pleasures of Tchaikovsky’s Third Symphony
Published 02/27/2013 at 9:55 a.m.
One of the occupational hazards of writing about the music of Peter Ilyich Tchaikovsky is that the composer’s addictive little phrases and orchestral textures seep into the recesses of the brain and stick there, ready to replay for days on ...
Pianist Evgheny Brakhman Pays Tribute to Rachmaninoff’s Last Concert
Published 02/13/2013 at 10:15 a.m.
The commemorative concert will focus on Rachmaninoff’s work as a composer and his professional life in the United States after fleeing the Russian Revolution in 1917, culminating in that fateful last concert in 1943 and centered heavily on his reputation ...
Veteran Singer and HBO Regular Anthony Laciura Directs Knoxville Opera’s 'La fanciulla del West'
Published 02/06/2013 at 10:45 a.m.
The old theater cliché that “there are no small parts, only small actors” is regularly bandied about glibly—perhaps to justify scene-stealing or to motivate an otherwise unmotivated performer. In the overwhelmingly positive sense, however, this sentiment fully describes the multiple ...
First-Time Surprises From KSO’s Recent Guest Stars
Published 01/30/2013 at 10:58 a.m.
There were a number of firsts for the Knoxville Symphony Orchestra and their Masterworks concerts last weekend—some matter of fact, some exciting, while others were, well, unfortunate.
KSO’s Chamber Orchestra Explores 20th-Century British Music
Published 01/16/2013 at 10:19 a.m.
One of the real joys of the Knoxville Symphony Orchestra’s Chamber Classics Series has always been the potential for musical adventure, and even some discovery, that can be found in the vast territory outside of the usual full orchestra repertoire ...
The Most Memorable Classical Music Performances of 2012
Published 12/26/2012 at 5 p.m.
Choosing the most memorable performances of 2012 becomes something of a task, if for no other reason than that the overall performance levels have risen so noticeably. But here goes.
KSO Concertmaster Steps into the Spotlight as a Soloist
Published 11/20/2012 at 1:03 p.m.
Two years ago, I reviewed a Knoxville Symphony Orchestra concert that centered mostly on the guest appearance of the violinist Midori and her performance in the Mendelssohn Violin Concerto in E Minor. On that same concert, however, was the audition ...
Knoxville Opera’s 'Die Fledermaus' Emphasizes Comedy Over Music
Published 10/30/2012 at 6:17 p.m.
Whether viewed as innocuous fun or lightheartedness run amok, Johann Strauss II’s operetta Die Fledermaus and its infectiously tuneful score have become, for modern audiences, an infamous vehicle for all manner of opera-company celebratory occasions such as galas and New ...
KSO and UT Try Out New Performance Spaces for a Pair of Chamber Concerts
Published 10/10/2012 at 10:51 a.m.
With new musical journeys in mind, the Knoxville Symphony Orchestra and the University of Tennessee School of Music departed the beaten path to alternative venues for their small-ensemble concerts that invited listeners to explore the performance intimacy of chamber music, ...
KSO's Rachmaninoff Concert Is an Auspicious Start to the New Season
Published 09/26/2012 at 10:50 a.m.
Sergei Rachmaninoff’s Piano Concerto No. 2 is probably one of those works, like Beethoven’s Fifth Symphony and Mozart’s Eine kleine Nachtmusik, that is so iconic in both atmosphere and melody that some think of it as too frequently performed. But, ...
Knoxville's Resurgent Classical Music Scene
Published 09/12/2012 at 11:41 a.m.
While symphonies and operas close down elsewhere in the U.S., the KSO and Knoxville Opera both report stable financial situations despite the seesaw battle in balancing costs, audience expectations, and artistic achievement. How do they do it? And can Knoxville’s ...
Clarence Brown Theatre and KSO Collaborate On a Brilliant Production of Sondheim’s 'Sweeney Todd'
Published 09/05/2012 at 10:54 a.m. 3 Comments
Perhaps like no other recent work for the musical stage, Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street is so eminently adaptable and bendable as theater that it practically cries out for fresh treatments. In the case of ...
KSO Closes 2011-12 Season With Exhilarating Performance
Published 05/23/2012 at 2:59 p.m.
With a flourish and a grand gesture of au revoir, the Knoxville Symphony Orchestra finished its 2011-12 Masterworks season last weekend with its usual pair of concerts: “A Touch of France,” covering four works by French composers. As usual, time ...
Experience and Youth Come Together for Knoxville Opera's Superlative 'Otello'
Published 05/02/2012 at 10:58 a.m.
Knoxville Opera’s superlative Rossini Festival production of Otello last weekend fused the brilliance and solidity of seasoned operatic performers with a solid cast of younger singers possessing major, and truly exciting, vocal talents.
Tenor Michael Austin Takes on His 47th Portrayal of Shakespeare’s Conflicted Moor in Knoxville Opera's 'Otello'
Published 04/26/2012 at 9:32 a.m.
With just a glance, even without a note of music being heard, one knows instantly why tenor Michael Austin is known in opera houses of the world for his portrayal of the title role in Giuseppe Verdi’s Otello—he looks exactly ...
A Seasoned Tenor and a Soprano Making Her U.S. Debut Star in Verdi’s 'Otello'
Published 04/26/2012 at 9:29 a.m.
This was not the Verdi of Rigoletto or La Traviata, but a Verdi who had possibly been influenced, subconsciously of course, by his musical nemesis, Wagner. The work had musical continuity and complex orchestration—the first that one might call truly ...