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<rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:apnm="http://ap.org/schemas/03/2005/apnm" version="2.0" xmlns:apcm="http://ap.org/schemas/03/2005/apcm"><channel><title>MetroPulse Stories: Movies</title><link>http://metropulse.com/news/ae-reviews/movies/?partner=RSS</link><atom:link href="http://metropulse.com/news/ae-reviews/movies/?partner=RSS" type="application/rss+xml" rel="self"></atom:link><description>MetroPulse Stories: Movies</description><language>en-us</language><category>ae-reviews/movies</category><item><title>Who Wants to Be a Millionaire?
</title><link>http://metropulse.com/news/2008/dec/23/who-wants-be-millionaire/?partner=RSS</link><description><![CDATA[From Danny Boyle, one of the liveliest and most worthwhile directors of recent years, comes this modern-day Balzac-ian rags-to-riches tale, a bright and shiny thing of almost no value whatsoever. In Slumdog Millionaire the slums of Paris are now the toxic entrails of a re-industrialized Mumbai, and the deus ex machina of the winning Parisian lottery ticket is an anti-statistical streak through Who Wants to Be a Rupee Millionaire?  <img src="http://media.metropulse.com/metr/content/img/photos/2008/12/23/slumdog_1.jpg"/> ]]></description><pubDate>Tue, 23 Dec 2008 19:01:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-14129-733399</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Staff">Kieron Barry</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Who Wants to Be a Millionaire?</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>who-wants-be-millionaire</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-14129-733399</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Van Sant Delivers Milk
</title><link>http://metropulse.com/news/2008/dec/17/van-sant-delivers-milk/?partner=RSS</link><description><![CDATA[After another string of low-rent indies of widely varying quality, Gus Van Sant brings us <em>Milk</em>, a biopic about the late San Francisco gay activist and politician Harvey Milk, which feels like it might be Van Sant’s Great Work in that it is marked by all of the best elements of his previous films, with none of the excesses or tripe. <img src="http://media.metropulse.com/metr/content/img/photos/2008/12/17/milk_sean_penn.jpg"/> ]]></description><author>mconnergibson@gmail.com (Mike Gibson)</author><pubDate>Wed, 17 Dec 2008 19:55:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-14100-733393</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Articles Editor">Mike Gibson</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Van Sant Delivers Milk</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>van-sant-delivers-milk</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-14100-733393</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Punished
</title><link>http://metropulse.com/news/2008/dec/10/punished/?partner=RSS</link><description><![CDATA[One thing’s for certain: You can’t blame Jonathan Hensleigh or Thomas Jane, the director and star, respectively, of 2004’s <em>The Punisher</em>, the tolerably entertaining predecessor of this alleged reboot. Both men bolted when it became apparent that plans for a sequel were going nowhere fast. And now their version of <em>Punisher</em>—a middling actioner that did a modest box office but scored big in video release—looks like a work of Welles-ian complexity in comparison to Levi Alexander’s beetle-browed clunker. <img src="http://media.metropulse.com/metr/content/img/photos/2008/12/10/punisher_2.jpg"/> ]]></description><author>mconnergibson@gmail.com (Mike Gibson)</author><pubDate>Wed, 10 Dec 2008 18:33:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-14078-733386</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Articles Editor">Mike Gibson</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Punished</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>punished</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-14078-733386</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Ineffective, Immediately
</title><link>http://metropulse.com/news/2008/dec/03/ineffective-immediately/?partner=RSS</link><description><![CDATA[There has been a lot of over-the-top, super-hyperbolic praised heaped onto screenwriter Charlie Kaufman’s directorial debut, <em>Synecdoche, New York</em>. And here’s some more. I believe this movie was made specifically for me at this point in my life. Yes, there’s an implied qualifier there. It’s perhaps not for everyone. If you’re not obsessed with your own failings when put up against your peers, if you’re not constantly waiting for death or expecting to be found out as the fool you know yourself to be, if you’re not so hopelessly, narcissistically self-loathing that you can’t find the energy to see anything beyond the world in your own head—in other words, if you’re not just like Kaufman’s protagonist Caden Cotard, maybe you should skip this one. <img src="http://media.metropulse.com/metr/content/img/photos/2008/12/03/synecdoche.jpg"/> ]]></description><author>maldonadoc@metropulse.com (Charles Maldonado)</author><pubDate>Wed, 03 Dec 2008 22:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-14057-733379</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Staff Writer">Charles Maldonado</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Ineffective, Immediately</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>ineffective-immediately</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-14057-733379</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Mending Fences
</title><link>http://metropulse.com/news/2008/nov/26/mending-fences/?partner=RSS</link><description><![CDATA[Countless films have dealt with similar subject matter and the attendant moral implications—that hatred and bigotry are parasites that leech the essence of human spirit, that good people must be ever wary of the evil that lives in human hearts. The Nazi regime provides a particularly pointed illustration, irresistible to filmmakers and fabulists alike, of why these truths are eternal. <em>The Boy in the Striped Pajamas</em> dutifully strikes the proper notes, in that respect, and it does so effectively. <img src="http://media.metropulse.com/metr/content/img/photos/2008/11/26/boy_in_striped_pajamas.jpg"/> ]]></description><author>mconnergibson@gmail.com (Mike Gibson)</author><pubDate>Wed, 26 Nov 2008 14:38:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-14022-733372</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Articles Editor">Mike Gibson</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Mending Fences</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>mending-fences</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-14022-733372</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Shaken, Not Stirred
</title><link>http://metropulse.com/news/2008/nov/19/shaken-not-stirred/?partner=RSS</link><description><![CDATA[When 2006’s <em>Casino Royale</em> ends, British secret agent James Bond (Daniel Craig) is in agony over the betrayal and suicide of his lover, Vesper. When <em>Quantum of Solace</em> begins, he is still consumed by past events, but his duty to country continues, leading him to an international group of criminals named Quantum, which he finds to have infiltrated the exclusive circle of agents run by his boss, M (Judi Dench). Now Bond is so determined to root out the head of Quantum, he can’t even kill straight.  ]]></description><pubDate>Wed, 19 Nov 2008 22:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-14001-733365</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Staff">Amanda Mohney</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Shaken, Not Stirred</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>shaken-not-stirred</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-14001-733365</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Lucky Charms
</title><link>http://metropulse.com/news/2008/nov/12/lucky-charms/?partner=RSS</link><description><![CDATA[When a new Mike Leigh film appears called <em>Happy-Go-Lucky</em>, you’d assume that it’s an ironic title. It’s not, exactly—the phrase provides a perfect description of the movie’s protagonist, Poppy, an effervescent 30-year-old London schoolteacher played with exquisite and delicate intensity by Sally Hawkins—but it does downplay the serious way that Leigh uses her story to examine just what happiness is, and how it works.   <img src="http://media.metropulse.com/metr/content/img/photos/2008/11/12/happy_go_lucky_2.jpg"/> ]]></description><author>everettm@metropulse.com (Matthew Everett)</author><pubDate>Wed, 12 Nov 2008 22:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13974-733358</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Editorial intern">Matthew Everett</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Lucky Charms</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>lucky-charms</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13974-733358</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Long Time Gone
</title><link>http://metropulse.com/news/2008/nov/05/long-time-gone/?partner=RSS</link><description><![CDATA[<em>Changeling</em>, the new film produced and directed by Clint Eastwood and starring Angelina Jolie, begins and ends in much the same way. The perspective is high above a colorless Los Angeles street in the late 1920s, Model A Fords trundling along it. The music behind is a muted trumpet, playing a sparse and tentative line. In between those bookends are nearly two-and-a-half hours of story, with only a slight improvement in hue. <img src="http://media.metropulse.com/metr/content/img/photos/2008/11/05/changeling.jpg"/> ]]></description><pubDate>Wed, 05 Nov 2008 22:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13939-733351</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Staff">Kent Priestley</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Long Time Gone</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>long-time-gone</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13939-733351</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Musical Dares
</title><link>http://metropulse.com/news/2008/oct/29/musical-dares/?partner=RSS</link><description><![CDATA[Albuquerque’s East High is the best high school in the world because Zac Efron goes there. What’s more, it’s the setting for <em>High School Musical 3</em>. But East High’s favorite basketball champ Troy Bolton (Efron) has a problem: It’s senior year, and he’s questioning his future. All of his friends know exactly what they want, but Troy, not so much. To add suckage to lameness, his beautiful, turning-the-world-on-with-her-smile girlfriend Gabriella Montez (Vanessa Hudgens) is going to college a thousand miles away (literally) while he’s expected to stay in town to be a college basketball star at his father’s alma mater. Thing is, when Troy raises his arms to catch a pass, he doesn’t know whether he’s doing it to score the winning basket for the team, or if he’s preparing to make perfectly posed jazz hands. What’s his real passion? Could his coach/dad ever understand? God a’mighty, could Zac Efron be any prettier? <img src="http://media.metropulse.com/metr/content/img/photos/2008/10/29/high_school_musical_3.jpg"/> ]]></description><pubDate>Wed, 29 Oct 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13879-733344</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Staff">Amanda Mohney</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Musical Dares</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>musical-dares</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13879-733344</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>W: Only in America
</title><link>http://metropulse.com/news/2008/oct/22/w-only-america/?partner=RSS</link><description><![CDATA[Right from the get-go, there’s a problem with making a relatively straight movie about George W. Bush, especially without the aid of a few post-presidency buffer-zone years. Never mind the fiasco of a war or the breakdown of Democratic checks and balances that he has left in his wake. He is, and always has been, kind of a joke as a character. The 43rd president, as middle-of-the-road comedians have proven ad nauseum since he took office, is tailor-made for broad slapstick, from the ever-present, vaguely confused look in his eyes to his famous grammatical slip-ups to his phony, over-the-top Texas machismo. How can you make a movie about this man, at this point in history, without slipping into parody or preachiness? <img src="http://media.metropulse.com/metr/content/img/photos/2008/10/22/W.jpg"/> ]]></description><author>maldonadoc@metropulse.com (Charles Maldonado)</author><pubDate>Wed, 22 Oct 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13847-733337</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Staff Writer">Charles Maldonado</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>W: Only in America</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>w-only-america</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13847-733337</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Going Up?
</title><link>http://metropulse.com/news/2008/oct/15/going/?partner=RSS</link><description><![CDATA[Imagine a society living in shadow, a place where corruption rules, infrastructure is failing, and cynicism replaces hope in the minds of its citizens. No, we’re not talking about America at the end of the second Bush term here; rather, we’re talking about Ember, the namesake city of the new film from director Gil Kenan.  ]]></description><pubDate>Wed, 15 Oct 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13827-733330</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Staff">Kent Priestley</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Going Up?</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>going</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13827-733330</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Arrested Development
</title><link>http://metropulse.com/news/2008/oct/08/arrested-development/?partner=RSS</link><description><![CDATA[Michael Cera desperately needs a way to escape typecasting, or at least to avoid saturation. He doesn’t quite get it in <em>Nick and Norah’s Infinite Playlist</em>, an iPod-generation mash-up of the road movie, the romantic teen comedy, and the rock ’n’ roll midnight-show cult classic in which Cera plays essentially the same character he’s always played.  ]]></description><author>everettm@metropulse.com (Matthew Everett)</author><pubDate>Wed, 08 Oct 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13799-733323</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Editorial intern">Matthew Everett</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Arrested Development</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>arrested-development</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13799-733323</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Sight Unseen
</title><link>http://metropulse.com/news/2008/oct/01/sight-unseen/?partner=RSS</link><description><![CDATA[After two consecutive universally acclaimed, multiple-award-winning films—2002’s <em>City of God</em> and <em>The Constant Gardener</em> from 2005—Fernando Mereilles was perhaps due for a letdown. And his latest movie, <em>Blindness</em>, is certainly a drop-off—less focused, occasionally over-stylized, and, at times, difficult to watch. But it’s far from a failure.  ]]></description><author>mconnergibson@gmail.com (Mike Gibson)</author><pubDate>Wed, 01 Oct 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13778-733316</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Articles Editor">Mike Gibson</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Sight Unseen</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>sight-unseen</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13778-733316</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Beer and Loathing in Oklahoma
</title><link>http://metropulse.com/news/2008/sep/24/beer-and-loathing-oklahoma/?partner=RSS</link><description><![CDATA[One of filmed media’s great comic inventions was Deputy Barney Fife, <em>The Andy Griffith Show</em>’s bumbling foil to Griffith’s own straight-laced Sheriff Andy Taylor. The combination of the series’ brilliantly eccentric scripts and the equally marvelous characterization of the late Don Knotts made it easy to overlook the fact that never in a million years would you actually want this man protecting you.  ]]></description><pubDate>Wed, 24 Sep 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13755-733309</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Staff">Chris Neal</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Beer and Loathing in Oklahoma</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>beer-and-loathing-oklahoma</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13755-733309</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Slow Burn
</title><link>http://metropulse.com/news/2008/sep/17/slow-burn/?partner=RSS</link><description><![CDATA[<em>Burn</em>, written while the Coen brothers were making the Best Picture-winning <em>No Country for Old Men</em>, is a ludicrous, one-joke farce, and that tone is reflected in its one-dimensional characters. Still, for all its silliness and nihilism—and because of them—<em>Burn</em> is surprising, insightful, and hilarious throughout. <img src="http://media.metropulse.com/metr/content/img/photos/2008/09/17/movie_burn-after-reading_.jpg"/> ]]></description><author>maldonadoc@metropulse.com (Charles Maldonado)</author><pubDate>Wed, 17 Sep 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13728-733302</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Staff Writer">Charles Maldonado</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Slow Burn</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>slow-burn</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13728-733302</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Mild Plus
</title><link>http://metropulse.com/news/2008/sep/10/mild-plus/?partner=RSS</link><description><![CDATA[Nicolas Cage plays Joe, a cold, opportunistic gun for hire who, we’re told, is among the best in the business. Joe, who has no backstory and no last name (to maximize his mystique or because the filmmakers are shamefully lazy?), does have some very obvious pieces of advice for any prospective hitmen out there, and those are used as the framework for the movie: “(1) Don’t ask questions; (2) There is no right and wrong; (3) Don’t take an interest in people outside of work; and (4) Know when to get out and walk away rich.” <img src="http://media.metropulse.com/metr/content/img/photos/2008/09/10/bangkok_dangerous.jpg"/> ]]></description><author>maldonadoc@metropulse.com (Charles Maldonado)</author><pubDate>Wed, 10 Sep 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13701-733295</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Staff Writer">Charles Maldonado</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Mild Plus</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>mild-plus</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13701-733295</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Playing Both Sides
</title><link>http://metropulse.com/news/2008/sep/03/playing-both-sides/?partner=RSS</link><description><![CDATA[The trouble with director Jeffrey Nachmanoff’s <em>Traitor</em> is that its political observations are blindingly, painfully obvious, and, for nearly two-thirds of the film, they obscure the simple pleasures of what could have been a perfectly fine double-agent story.  <img src="http://media.metropulse.com/metr/content/img/photos/2008/09/03/movie_traitor.jpg"/> ]]></description><author>everettm@metropulse.com (Matthew Everett)</author><pubDate>Wed, 03 Sep 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13681-733288</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Editorial intern">Matthew Everett</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Playing Both Sides</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>playing-both-sides</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13681-733288</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Light Rocker
</title><link>http://metropulse.com/news/2008/aug/27/light-rocker/?partner=RSS</link><description><![CDATA[“Mildly entertaining” is the kiss of box-office death these days. We live in an extreme era and we demand extreme entertainment at our movie theaters: spectacles of mass destruction featuring all-powerful heroes, super-villains, and occasionally Robert Downey Jr. Case in point is <em>The Rocker</em>, an earnest comedy starting Rainn Wilson as a past-his-prime drummer who gets a second chance to rock in his nephew’s high-school emo band. It’s cute. It has a few laughs. The characters are mostly likable. And you won’t stop wondering why you’re not watching it on the USA Network instead of in a theater.  <img src="http://media.metropulse.com/metr/content/img/photos/2008/08/27/movie_review_rocker.jpg"/> ]]></description><author>coury@metropulse.com (Coury Turczyn)</author><pubDate>Wed, 27 Aug 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13658-733281</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Managing Editor">Coury Turczyn</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Light Rocker</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>light-rocker</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13658-733281</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Teen Beat
</title><link>http://metropulse.com/news/2008/aug/20/teen-beat/?partner=RSS</link><description><![CDATA[Over the last five or six years, the entertainment industry has become absolutely obsessed with young people. Everywhere you look, there’s a new movie or television show trying its best to get inside the minds of teenagers and unearth their hopes, fears, and motivations. Just think of the last year or two: we’ve had <em>Juno</em>, <em>Superbad</em>, <em>High School Musical</em>, <em>Gossip Girl</em>, and <em>The Secret Life of the American Teenager</em>. It’s like filmmakers and network executives can’t get enough of us and our supposedly wild shenanigans.  <img src="http://media.metropulse.com/metr/content/img/photos/2008/08/20/movie_review_american_teen.jpg"/> ]]></description><pubDate>Wed, 20 Aug 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13643-733274</guid><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine>Halley Corapi</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Teen Beat</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>teen-beat</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13643-733274</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Pineapple Flambé
</title><link>http://metropulse.com/news/2008/aug/13/pineapple-flambe/?partner=RSS</link><description><![CDATA[<strong>Movie Guru:</strong> In the golden age of R-rated comedies—roughly, 1975 through 1982—there was much to gladden the hearts of 14-year-old boys: <em>National Lampoon’s Animal House</em>, <em>Caddyshack</em>, <em>Used Cars</em>, <em>Stripes</em>. Now considered classics of the form, they all delivered on their promises of zany hijinks, hopelessly immature boy-men, and gratuitously topless women. It was a great time to be alive, if you could manage to sneak into the theater with your buddies. <img src="http://media.metropulse.com/metr/content/img/photos/2008/08/13/movie_review_pineapple_express.jpg"/> ]]></description><author>coury@metropulse.com (Coury Turczyn)</author><pubDate>Wed, 13 Aug 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13611-733267</guid><enclosure url="http://media.metropulse.com/metr/content/img/news/tease/2008/08/13/movie_review_pineapple_express.jpg" length="58975" type="text/plain"></enclosure><category>ae-reviews/movies</category><apcm:ContentMetadata><apcm:ByLine Title="Managing Editor">Coury Turczyn</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Pineapple Flambé</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>pineapple-flambe</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13611-733267</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item></channel></rss>