<?xml version="1.0" encoding="utf-8"?>
<rss xmlns:atom="http://www.w3.org/2005/Atom" xmlns:apnm="http://ap.org/schemas/03/2005/apnm" version="2.0" xmlns:apcm="http://ap.org/schemas/03/2005/apcm"><channel><title>MetroPulse Stories: Digital Media</title><link>http://metropulse.com/news/ae-reviews/digital-media/?partner=RSS</link><atom:link href="http://metropulse.com/news/ae-reviews/digital-media/?partner=RSS" type="application/rss+xml" rel="self"></atom:link><description>MetroPulse Stories: Digital Media</description><language>en-us</language><category>ae-reviews/digital-media</category><item><title>Oontz Oontz Oontz
</title><link>http://metropulse.com/news/2008/dec/17/oontz-oontz-oontz/?partner=RSS</link><description><![CDATA[Based upon 1978’s MS-10 analog synth (get the name yet?), XSEED Games’ software adaptation of the classic entry-level KORG hardware marks a significant push forward in console gaming’s largely-ignored side quest to be taken seriously in non-gaming arenas. <img src="http://media.metropulse.com/metr/content/img/photos/2008/12/17/korg-ds-10.jpg"/> ]]></description><pubDate>Wed, 17 Dec 2008 19:51:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-14099-733393</guid><category>ae-reviews/digital-media</category><apcm:ContentMetadata><apcm:ByLine Title="Staff">Dave Prince</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Oontz Oontz Oontz</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>oontz-oontz-oontz</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-14099-733393</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Film Society
</title><link>http://metropulse.com/news/2008/sep/24/film-society/?partner=RSS</link><description><![CDATA[As digital cameras and hard drives have gotten progressively cheaper, we’ve become a nation of videographers, not only documenting the daily magic of baby dribble, but also taking our own stabs at the auteur theory with short films, fan extensions of genre films, and full-on features. And Rootclip.com, created by a couple of guys here in Knoxville, takes that digital lifestyle trend to its next step: virtual collaboration on short films, conducted online.  ]]></description><author>coury@metropulse.com (Coury Turczyn)</author><pubDate>Wed, 24 Sep 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13754-733309</guid><category>ae-reviews/digital-media</category><apcm:ContentMetadata><apcm:ByLine Title="Managing Editor">Coury Turczyn</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Film Society</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>film-society</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13754-733309</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Cyberspace Hero
</title><link>http://metropulse.com/news/2008/jul/30/cyberspace-hero/?partner=RSS</link><description><![CDATA[Joss Whedon, the talented nerd/writer/TV producer who somehow infiltrated network TV with <em>Buffy the Vampire Slayer</em> a decade ago, has produced his own Web series, <em>Dr. Horrible’s Sing-Along Blog</em>, and it’s a humdinger. He’s managed to infuse just the right amount of production values into a humble, goofy project to create something that works best on the Internet.   ]]></description><author>coury@metropulse.com (Coury Turczyn)</author><pubDate>Wed, 30 Jul 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13551-733253</guid><category>ae-reviews/digital-media</category><apcm:ContentMetadata><apcm:ByLine Title="Managing Editor">Coury Turczyn</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Cyberspace Hero</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>cyberspace-hero</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13551-733253</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Short Cuts: Marble City Film Festival
</title><link>http://metropulse.com/news/2008/jun/25/short-cuts/?partner=RSS</link><description><![CDATA[It’s 7 p.m. at the Bijou Theatre when the doors are flung open by a brace of lissome volunteers, and the avalanche of filmmakers, film-lovers, and the merely film-curious that will form tonight’s audience tumbles into the lobby. Such hubbub is but a dying echo of the chaos that has, for most, been last Saturday’s leitmotif. Perhaps 30 percent of the torsos here are posing the faintly defensive question that serves as both slogan and premise for the Marble City Film Festival: “Could you make a 3-minute movie—in just 10 hours?”  ]]></description><pubDate>Wed, 25 Jun 2008 21:00:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13439-733218</guid><category>ae-reviews/digital-media</category><apcm:ContentMetadata><apcm:ByLine Title="Staff">Kieron Barry</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Short Cuts: Marble City Film Festival</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>short-cuts</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13439-733218</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item><item><title>Requiem for a Dead Format
</title><link>http://metropulse.com/news/2008/jan/24/requiem-dead-format/?partner=RSS</link><description><![CDATA[Introduced by Sony in 1999, SACD was intended to replace old-fashioned audio CDs by offering superior sound quality. It didn’t last long.   ]]></description><author>coury@metropulse.com (Coury Turczyn)</author><pubDate>Thu, 24 Jan 2008 23:11:00 -0000</pubDate><guid isPermaLink="false">urn:publicid:metropulse.com:news-Story-13117-733065</guid><category>ae-reviews/digital-media</category><apcm:ContentMetadata><apcm:ByLine Title="Managing Editor">Coury Turczyn</apcm:ByLine><apcm:DateLine>Knoxville, TN</apcm:DateLine><apcm:HeadLine>Requiem for a Dead Format</apcm:HeadLine><apcm:Characteristics MediaType="Text"></apcm:Characteristics><apcm:Source Url="http://metropulse.com" City="Knoxville" CountryArea="TN">MetroPulse</apcm:Source><apcm:SlugLine>requiem-dead-format</apcm:SlugLine></apcm:ContentMetadata><apnm:NewsManagement><apnm:ManagementId>urn:publicid:metropulse.com:news-Story-13117-733065</apnm:ManagementId><apnm:ManagementType>Change</apnm:ManagementType><apnm:ManagementSequenceNumber>0</apnm:ManagementSequenceNumber><apnm:PublishingStatus>Usable</apnm:PublishingStatus></apnm:NewsManagement></item></channel></rss>